Soap Opera Weekly, 04/19/05
   The Odd Couple

    

Laura Wright cracks open her 2-pound lobster and a piece goes flying across the table, nailing David Andrew MacDonald in the face. Macdonald nonchalantly wipes his brow. It’s a sweet moment that shows the affection between these two actors. But Wright isn’t off the hook yet.

Soap Opera Weekly: Why in the world did Edmund allow Dinah to implant Cassie’s embryos?!

Laura Wright and David Andrew Macdonald: (simultaneously) She was there.

Macdonald: She actually picked herself, and then Edmund felt cornered, pathetic and desperate. People are calling it implausible, but it’s not. The only thing that’s implausible is how unprotected those embryos were. The idea that she can actually walk in and go, “I’m Cassie Winslow…”

Wright: But it’s a soap opera.

Weekly: Edmund’s decisions haven’t exactly been brilliant.

Macdonald: (in character) I think my decisions have always been phenomenal.

Wright: It’s fun, well-written, and you sell it. People bought Buffy the freaking Vampire Slayer. They loved this show about vampires because they all believed it. The people on the show sold the story.

Macdonald: Actors are so preoccupied with what’s real, especially in America. If you really want a slice of life, look at me waking up in the morning. It’s pretty damn boring. Forget about being real and think about being compelling. When you think about how long this Shakespeare stuff has been around, a lot of it is not very real. But it speaks of things incredibly compelling.




Was Edmund an egghead for letting
Dinah carry Cassie's baby?

Weekly: Dinah is crazy. What if she tries to lose the baby to get the ultimate revenge on Cassie?

Wright: Then I guess we’ve got to deal with that. I would think she would become attached.

Macdonald: What if all of a sudden she thinks she’s lost Edmund and the only banana she has is that baby? Or the only way to get what she wants is to threaten to do something to end the pregnancy? Then she shuts the door, all alone, and cries and shows she loves the baby. All of a sudden, the audience loves her.

Weekly: What about the Cadmund fans, who want you guys to be happy?

Macdonald: The audience wants you to get away with something. They don’t want to see you eat a slice of pizza.

Wright: Well, they also said, “Edmund needs to tell Cassie about what happened in the bard that night, from the beginning.” But then we’d have no story!

Weekly: Do you guys hang out when the cameras stop rolling?

Wright: Dave and I will have tea.

Macdonald: I moved to a different floor years ago, so we’re not on the same floor anymore. My dressing room is down with Ron Raines (Alan), Justin Deas (Buzz), Robert Newman (Josh) and Michael O’Leary (Rick).

Weekly: Did anyone move in with O’Leary when Grant Aleksander left?

Macdonald: (joking) No, he’s on his own. I think everyone wants it that way.

Wright: (also joking) Mikey’s a slob.

Weekly: Joan Collins was down there, too?

Wright: She had her own suite.

Weekly: Okay, back to business. Laura, what’s David’s best quality?

Macdonald: I don’t think we have time.

Wright: He’s an incredibly giving actor. We could be doing a scene and I could be struggling with something and he’ll say, “Are you okay? Is there something I can do? Can I fix it?” His first instinct will be to fix it or help you fix it. You don’t get that a lot. You usually feel the stress that you’re not doing something and they’re annoyed. We’re always prepared, always run lines. And we don’t take it too seriously. It is what it is.

Weekly: David, what’s Laura’s best quality?

Wright: I’m fun.

Macdonald: (to Laura) Don’t answer for me. Clearly, her best quality is not her need to not control the situation … You said “best” quality? As there are so many good qualities…

Wright: I have to say, a year-and-a-half ago when Ellen Weston was (head) writing, we didn’t have anything to do. I didn’t know what the hell I was doing. I didn’t understand anything I ever did. I didn’t know why I was there, where I was going. There was no story, there was nothing. But I still had a great day because we were going to come in and have fun no matter what they gave us. Working with David got me through a very bad time of not liking the show at all, of not liking the work there. The best part of my day was coming there and working with him, because everything else sucked.

Weekly: How did you ride it out?

Wright: The paycheck.

Macdonald: I’m glad she feels that way. Sometimes I don’t ride it out. Sometimes I get pissed and it feels like I’m backed into a corner. And more often than not I can trace it back to the fact that I didn’t sleep well the last few nights before. A proper diet, enough water and sleep, and exercise really is the difference between hurling yourself in front of a bus and going off and writing the great American novel. I get mad. I don’t like it when I get mad. It’s perfectly human, but it never solves anything.

Wright: He always thinks it out. You couldn’t find two more opposite people, which is the funny thing. I don’t think we have anything in common. He thinks more – I just go for it.

Macdonald: She’s a good girl.

Wright: If I put on music, I’m like, “Isn’t this great?” and he’ll say, “I’ve never heard this before.” I’m like, “Of course you haven’t.”

Weekly: What do you have in common?

Wright: We’re both from Maryland. We’re both married with two kids. We both have one of each (a boy and a girl). That’s about it.

Macdonald: No, that’s not true. Your father was a policeman in Washington, D.C. and I’ve had some run-ins with the police.

Wright: You skinny-dipped a lot.

Macdonald: We knew the houses in D.C. that had pools. We never did it in people’s pools in the neighborhood because we didn’t want to piss off everyone else’s parents. So we’d go break into the colleges and go to other towns. I spent most of my teenage years naked in the pool at 2 in the morning.

Weekly: Is that how you got the scar about your lip? Diving into a pool?

Macdonald: No. I was living in London in the summer of ’83. We had taken a Europass and were in Bavaria. We were in a bar one night, and there were prostitutes outside. These men were being quite brutal with them. It was a Bavarian bar, with antlers everywhere and swords crossed on the walls. I looked at my friend, and said, “This is wrong and it shall not be!” I stepped outside with two of the swords from the wall and I threw one to one guy and we dueled. We dueled for the woman’s honor.

Wright: He is such a liar!

Macdonald: Shut up! Come on! Okay, I was 4 ½ years old and my sister was chasing me and I went straight through the glass on the porch doors. The scar is from 1965.

Wright: I wasn’t even born yet.

Mark McGarry